El vago temor de lo entrevisto [string quartet n.2]
string quartet2009, unfinished.
Workshop with the Danel Quatour in March 2010.
6 min
2009, unfinished.
Workshop with the Danel Quatour in March 2010.
6 min
ob, cl, bsn, harp, vln, vla, cb, perc
Four Lukas Epigrams: Manzanillo, mancuneo by Mauricio Pauly
written to attend the Centre Acanthes
workshop with Orchestre National de Lorraine (Formation B), conducted by Jean Deroyer
July 2009
One of the four
ob, cl, bsn, vln, vla, cb, pn, perc
performed by Alea III, conducted by Theodore Antoniou
as part of 19 Epigrams written by students of Lukas Foss.
March 2nd 2010, Boston
awarded to attend Centre Acanthes, France 2009 and the New York premiere of Every new volition a mercurial swerve by the JACK Quartet in 2010.
Joseph Brent – mandolin, Lidia Kaminska – accordion, Jennifer Curtis – violin, Margaret Dyer – viola at the Galapagos Art Centre in DUMBO, NY, January 30, 2009
Closing concert of the Brooklyn Philharmonic‘s Nuevo Latino Festival
Written for and premiered by the Ikarus Chamber Players at the WMP Concert Hall in New York. October 30th, 2008.
Sarah Beaty – cl
Julia MacLaine – vc
Margaret Dyer – vla
Owen Dalby, Jonathan Chu – vlns
to attend the premiere of Clinamen clinamen clinamen by the Ikarus Chamber Players in New York, 2008.
for cl, pn, electric bass and drumkit
arranged for If Version Linger in 2008 from the original 2004 version. This was, amongst other things, a first experiment into the kind of notation and ensemble performance devices which lead to Clinamen clinamen clinamen and the string quartets.
LISTEN to If Version Linger’s performance
Hannah McCabe, clarinet
Josh Kopecek, piano
Mauricio Pauly, electric bass
Daniel Jones, drums
written in 2005.
performed by Dalma Cseh at the Small Hall of the Franz Liszt Conservatory in Budapest and then in live broadcast from the Hungarian Radio studios.
also performed by Nikolas James (Nexus Ensemble) at the University of Las Vegas
awarded 1st prize by the Clavicembalo Foundation Composition Competition 2005
Performed by Leo Eguchi at the Boston University Concert Hall. May 2004.