24 March 2016 – McGill University: talk to McGill Association of Student Composers w/ Sabrina Schroeder and Noam Bierstone. Pieces discussed: The Threshing Floor. 28 March 2016 – Harvard University: talk at Harvard University Graduate Composers’ Colloquium. Pieces discussed: The Threshing Floor & Sky Destroys Dog. 30 March 2016 – Boston University: talk at Boston […]
La flor mas rara (2015), Francisco Huguet bass clarinet, double bass, electronics, cello. Its fleece electrostatic (2012), Mauricio Pauly amplified violin, electronics Rung (2014), David Chisholm robotic bells, bass, Peaetzold recorder, electric guitar, violin. Slappy ‘s dance (2014), Benoît Moreau ensemble and electronics. SMC welcomes Vortex for their second concert in 2016. The electronic transformation […]
ICE (Claire Chase, Ryan Muncy, Ross Karre, Levy Lorenzo) – The Threshing Floor at the Chopin Theatre, Chicago. This performance of the threshing floor — a 20-minute work for amplified tenor saxophone, amplified percussion, and electronics completed in 2014 — marks ICE’s first Chicago presentation of music by UK-based Costa Rican composer Mauricio Pauly. The […]
ICE (Claire Chase, Ryan Muncy, Ross Karre, Levy Lorenzo) – The Threshing Floor at the Abrons Arts Center, NY. This performance of The Threshing Floor — a 20-minute work for amplified tenor saxophone, amplified percussion, and electronics completed in 2014 — marks ICE’s first performance of music by UK-based Costa Rican composer Mauricio Pauly. The […]
House of Bedlam, directed by composer Larry Goves, will be performing my new work Fold explain fold leave revisited (backdoor) for amplified quartet (flute, tenor sax, electric guitar, cello) and live electronics. The concert will take place at the RNCM’s Carole Nash Hall in Manchester, Jan 28th 10pm. Kathryn Williams (flute), Carl Raven (saxophone), Steph […]
Patrulla Reliquia, for amplified piano, live electronics and recordings of dry leaves dragged and crushed over ceramic slabs (for one unassisted pianist) – 2015 Performed by Mabel Kwan / recorded and mixed by Alex Inglizian. Included in her album, One Poetic Switch (2016 Milk Factory Productions)
Dal Niente pianist Mabel Kwan celebrates the release of her solo album with a program of recent works for piano and clavichord. Rebecca Saunders’s Shadow makes extensive use of the sostenuto and sustaining pedals to explore the play of acoustic shadows–harmonic clouds of color which are projected into the acoustic resonance of the preceding gesture. […]
event info Experimenteel, multimediaal klassiek werk voor piano (+sax/video) van J. Kreidler, J. Baillie, T. Johnson, M. Pauly & J. Hyde. Za 05.12.15︱20.30︱7€ Programma Tom Johnson: Catalogue of Chords for piano (Video by Joshua Hyde) Joanna Bailie: Artificial Environments for piano en electronics (met F. Croene) Johannes Kreidler Studie voor piano, tape & video (by […]
Scapegoat (Joshua Hyde, sax & Noam Bierstone, percussion) will be in the UK to perform works by Emily Howard and Matt Sergeant along with my work, The Threshing Floor for amplified duo and live electronics. November 18th – RNCM, Manchester (19:30) November 20th – St Catherine’s Oxford U, Oxford (17:30) November 23rd – HCMF Shorts, […]
Centre Henri Pousseur & a collective of Belgian soloists: Nico Couck (guitar) – Ine Vanoeveren (flutes) – Frederik Croene (piano) – Arne Deforce (violoncello) – Tom De Cock (percussion) – Takao Hyakutome (violin) 18h00, Théâtre de Liège Another Celibate Machine, for amplified ensemble and electronics Sky Destroys Dog, for solo electric guitar plus music by […]
Nov 2015 El teléfono en reposo pero atento (2015), for amplified sextet and electronics Ensemble Interface (Frankfurt) Also new pieces by Martin Iddon, Patricia Alessandrini, and Pedro Alvarez. November 17th – Burgess Foundation, Manchester. November 18th – University of Leeds, Leeds. November 19th – Goldsmiths University, London.
Josh Hyde, amplified tenor saxophone and electronics Noam Bierstone, amplified percussion and electronics performance at Radcliffe Institute / Harvard performance at Huddersfield Contemporary Music Festival 2015 performance at RNCM, Manchester 2015 performance at Oxford U, 2015 performance at Radar, Toronto, ON performance at Spectrum, NYC performance in Detroit, MI
THE THRESHING FLOOR AND OTHER WORKS (2012-2015) PROGRAMME [full youtube playlist] Its fleece electrostatic (2012) [youtube/soundcloud] for amplified violin and guitar pedals Patrulla Reliquia (2015) [youtube/soundcloud] for amplified piano, live electronics and recordings of dry leaves dragged and crushed over ceramic slabs Its fleece electrostatic (2012, this version 2015) [youtube/soundcloud] for amplified percussion and guitar […]
Apartamento Polsen Apartamento Peterson was originally commissioned by Vertixe Sonora in 2011. I revised the work substantially in 2013. This new version was performed by the same trio that premiered in 2011 on May 26th 2015. Pablo Coello, tenor saxophone Thomas Piel, cello David Durán, piano Review by Paco Yañez in Mundo Clásico: http://www.mundoclasico.com/ed/documentos/doc-ver.aspx?id=63a9ae2f-506e-4b1f-808a-81b8cb7c609d (…) […]
Knafel Center 4pm THE THRESHING FLOOR AND OTHER WORKS (2012-2015) Mauricio Pauly PROGRAMME Karin Hellqvist, violin Joshua Hyde, tenor saxophone Heloisa Amaral, piano Noam Bierstone, percussion Alexis Guneratne, technical direction (in no particular order) Its fleece electrostatic (2012) for amplified violin and guitar pedals Its fleece electrostatic (2012, this version 2015) for amplified percussion and […]
The video version of ITS FLEECE ELECTROSTATIC, featuring Linda Jankowska and created by Angela Guyton, will be in exhibition at the Morley Gallery, London, as finalist in the Engine Room International Sound Art Competition 2015.
Mabel Kwan performed PATRULLA RELIQUIA, for amplified piano and live electronics, at Constellation, Chicago two weeks after its premiere in Hammond LA. The concert, with her trio Pesedjet, included new music by Santiago Díez-Fischer and others.
Along with Distractfold at the International New Music Spring Festival in Poznan, Poland ///////////////////////////////////////////////////////////////////////////////////////// ///////////////////////////////////////////////////////////////////////////////////////// /////////////////////////////////////////////////////////////////////////////////////////